On ELL a user has asked how to parse the emphasized -ing form in this sentence from Harry Potter and the Philosopher's Stone:
Harry swung at it with the bat to stop it from breaking his nose, and sent it zigzagging away into the air.
I am puzzled how to answer.
Zigzagging could be taken as an adjectival participle modifying it; certainly if you delete zigzagging you're left with away into the air as the ordinary complement demanded by send: you send something somewhere.
But that isn't how the semantics work for me. Send here seems to me to be a causative and zigzag a non-finite verb, which could be paraphrased with an infinitive:
He sent it zigzagging away into the air = He caused it to zigzag away into the air.
He sent him riding away to London. = He caused him to ride away to London.
He sent him packing. = He caused him to pack [i.e., to hurry away].
Thus it zigzagging away seems to me to be a full clause. But I have not found any formal description of subordinate clauses employing the -ing form where the clause does not act as a nominal, and that is clearly not the case here: ordinary NP complements to sent are Direct Objects and Indirect Objects.
So how do Modern Grammars analyze this construction, by what tests do they establish this analysis, and what do they call the construction?
Best Answer
McCawley doesn't say much about it, as far as I can see, but it appears to be a variety of the complex of serial verb constructions around motion verbs and their inchoatives and causatives, like the various serial verb constructions mentioned in this freshman grammar exam question (#4, restricted to come and go):
V
)V
)V
)V
)V
-ing)V
-ing)But there are lots more verbs that cause motion, and motion has a number of verb-like properties, so this construction complex gets much broader in scope. E.g,
There are a number of possibilities here:
the initial verb part of the serial verb may be
while the gerund part normally describes some property of
In either case, it is the moving object that functions as subject of the gerund constituent and displays the property; one may give it several different kinds of PS, but I'd treat these more or less the same way I treat phrasal verbs, as a discontinuous construction with two parts that share the semantic load, subject to easy idiomatization and extension to many metaphors.