People use the phrase "x strikes a chord with me" to address enthusiasm or personal movement.
I know there is another question that addresses what this idiomatic phrase means, but I'm very curious as to where this came from and when? I've searched a number of English dictionaries in hopes that a definition of the idiom or simply the word chord would be affixed with the origin; I started with the Cambridge English dictionary and proceeded from there.
I also tried many fruitless Google queries. If someone could point me towards a reliable resource, I'd have no problem doing further research.
I know music is a very emotional endeavor, so I could see the connection there–considering chords are a significant component of music–but this is purely a personal inference.
Does anyone know this idiom's origin?
Best Answer
Literal use of 'strike a chord'
In English, literal use of "strike a chord" goes back at least to the first half of the eighteenth century. From William Holder, A Treatise of the Natural Grounds, and Principles of Harmony (1731):
Metaphorical use of 'strike a chord'
Metaphorical use of "strike a chord" to mean "evoke an emotional response" goes back to the early 1800s.
From "The Gossip," in Boston Weekly Magazine (August 6, 1803):
From B.T., "On the Bodily Agitations which have taken Place in America," in The Christian Observer (September 1804):
From Valverdi, "The Reflector," in The Literary Magazine, and American Register (August 1807):
From a letter dated June 14, 1808, in Richard Fenton, A Tour in Quest of Genealogy through Several Parts of Wales, Somersetshire, and Wiltshire, in a Series of Letters to a Friend in Dublin (1811):
From Letter VIII of "Letters on France and England," in The American Review of History and Politics (April 1812):
From Henry Card, The Brother in Law: A Comedy (1817, but "written more than six years ago, according to the publisher's note of January 15, 1817):
An interesting crossover instance from musical chords to metaphorical chords of feeling appears in a facetious footnote to The Rovers; or, The Double Arrangement, act 1, in The Ordeal: A Critical Journal of Politicks and Literature (May 13, 1809):
'Strike a chord' and 'heart-strings': no connection?
Although you might suppose that striking a chord in the heart (as mentioned in the 1804 reference above) might entail a connection between the "strike a chord" metaphor and "heart-strings," a term that (according to Merriam-Webster's Eleventh Collegiate Dictionary (2003) goes back to the fifteenth century:
By Samuel Johnson's time, heart-string seems to have acquired a tougher, more sinewy identification. From Samuel Johnson, A Dictionary of the English Language (1756):
The snapping of these strings may have been the original basis for the idea of "breaking a heart. Certainly, some early instances of heart-strings do make a connection between them and musical strings. For example, in William Shakespeare, Richard III:
And yet I don't find any explicit connection between "heart-strings" and "strike a chord" until L.B. Flanders, "Lines (Sorrow's Music Strains)" in Heart Histories, Spirit Longings, Etc. (1877):
The New York Chamber of Commerce, Monthly Bulletin (1960) embraces both expressions in the name of capitalism:
But again, I found no evidence that "strike a chord" was connected in any meaningful way to "heart-strings" in the very early 1800s, when "strike a chord" was acquiring its metaphorical sense of "having a strong emotional effect of sympathy or shared feeling on."
Conclusions
'Strike a chord' in the literal sense of produce a harmonious musical sound on a stringed instrument goes back to at least. Metaphorical use of the phrase to convey the idea "evoke an emotional response" goes back to at lest 1803 and is based ion that earlier musical sense of the phrase. I could not find any early connection between "strike a chord" an "heart-string"—the latter being not metaphor but a physiological description of one component of the heart's structure.